Philip Gefter wrote evocatively about photographer Richard Avedon in today’s NY Times.
“Through Avedon’s eyes, female beauty is not viewed with distrust, as a collection of wiles and veils that can manipulate, obfuscate or seduce. In one photograph, the model Liz Pringle stands effortlessly poised in a boat, with the manner of an heiress in a breezy movie from the 1950’s. She holds a cigarette and looks our way with the sly grin of a secret shared, as if we are among her closest friends. You know the picture is all about the clothes, but the soignée sophistication of the scene is what draws you in.
Despite decades of imitators, Avedon has proved inimitable. His curiosity fueled his imagination. He anticipated the tone of each era with a sophistication that was precision-cut in the stratosphere of art, fashion and culture at which he so naturally, and tenaciously, hovered. He never stopped experimenting with the photographic image and, always, his pictures reflect a regard for women that was truly debonair.”
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